This video was filmed during my trip to Bosnia and Herzegovina. Sarajevo is the most surreal city I have ever visited, not just because different religions intersect and coexist there, and also the weight of its history lingers in a way that quietly surrounds you. My friend and I visited a museum dedicated to the Siege of Sarajevo, and the war documentary playing there left a profound impact on me.

In this piece, I layer the scenes I captured in the present-day city with archival footage from the documentary—images of camps, siege, violence, and survival. The intention is not to create a dramatic visual clash, but to invite the viewer to sense an echo of history within this temporal dislocation. The shadows of war never truly vanish, and our everyday lives are always entwined with what came before.

I have always felt that history is not a straight line, but more like a circling loop. Many events we consider “in the past” continue to replay themselves in different forms in the present. For this reason, I hope viewers do not approach these images by thinking of “Bosnia” as a distant, abstract Eastern European country and name, but instead bring their own lived experiences and the realities of our current era into the viewing, reflecting on the shared experience woven between the present and the future. 这是我在波黑旅行时拍摄的一系列影像。萨拉热窝是我去过最“魔幻”的城市，不仅仅因为不同宗教在这里交织共存，更因为这座城市所承载的历史重量始终以一种难以言说的方式笼罩着你。我和朋友参观了一个关于萨拉热窝围城战役的博物馆，馆中播放的战争纪录片给我留下了极深刻的震撼。


在这件作品中，我将自己在当下拍摄的城市片段，与纪录片中记录集中营、围困、暴力与生存的影像交叠在一起。这样的叠加并不是为了制造视觉冲击，而是希望观众能在时空的错位中感受到一种历史的回声，战争的残影从没有真正的远去，而我们此刻的日常，也和过去紧紧相连。


我始终觉得，历史不是一条线，而更像是一个循环的圆。许多事情看似发生在“过去”，却以另一种方式在当下不断重演。因此，我希望观众不要以“波黑”作为一个遥远、抽象的东欧地理名词去观看这些影像，而是带着自己的生活经验、我们所处的时代现实，去思考现在与未来交织成的共同命运。